Showing posts with label Style Icon of the Week. Show all posts
Showing posts with label Style Icon of the Week. Show all posts

Saturday, January 25, 2014

Style Icon of the Week: Marni Senofonte

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Style Icon of the Week: Marni Senofonte



Lately, I have been totally style crushing on Marni Senofonte.  (Hence: Style Icon of the Week)  I have read her name before in photoshoot credits and was aware of her styling for clients, but my total obsession with Marni started when I followed her on Instagram (@marnixmarni).  Her Instagram page has provided me multiple fashiongasms over 2013. Multiple!  I really didn't think I had it in me. (smile) What really sent me over the edge however, was her white gown for Ms. Tina Knowles 60th birthday bash.  Wow.  Of course Ms. Tina, Queen Bey, Solange, and Kelly did their own thing, but I could not take my eyes off of Marni.  In every shot.  On everyone's Instagram page, who were invited to the bash.  If I was there, I wouldn't have taken any pictures with Marni! Yes, it was that real.

The dress...and fabulous mask.

See what I mean?  I wouldn't have posed for any picture with her, she looks that fabulous!
Marni Senofonte is a celebrity stylist guru, who has worked with every celebrity who is worth mentioning for the past 15 years.  Everyone from Kelly Rowland, Beyonce, Cassie, Diddy, Lauryn Hill, the Kardashians, Monica…you name them, she’s styled them.  And oh, how she has styled them!


Work Kelly!
Marni credits her start to Misa Hylton-Brim, also a celebrity stylist guru in her own right, while working at Norma Komali.  From an interview with Vibe Vixen, “Truth be told, Misa Hylton-Brim. I was working at Norma Komali, the clothing store, and Misa used to always come in and shop for SWV and Total and all these people. We just formed a relationship, and it was funny because she got pregnant with her second baby, right after she had Justin, and needed help. I was helping her out with a Total video, so truly Misa took me from Norma Komali.” 


I have these pants!

“I helped Misa out while she was pregnant right up until she gave birth to her baby, but I was still working at Norma Komali. Then, Lauryn Hill saw something that I did and tracked me down and and it was Salt-N-Pepa and Lauryn Hill. Like, I literally left Norma Komali and Salt-N-Pepa it went on their last tour. It was kinda crazy. It was funny because they were doing a cover shoot for Us magazine, and they wouldn’t get dressed. Marvet [Britto] knew Norma Komali, and I was in Norma’s PR department, so I brought over each one of them an outfit, never knowing that you had to bring racks and racks of clothing. I brought Sandy something, Cheryl something, Spin something and they loved it. It was on the cover, then they’re like, ‘Come work on the tour!’ I was so young, so I left Norma Komali, went on the road with Naughty by Nature and Salt-N-Pepa. It was the most fun I ever had in my whole life That was the beginning of the best stories. From there, I went straight to Lauryn Hill, and I was heavy with Lauryn Hill for years.” 



And the rest is fashion history.  Marni Senofonte embodies NYC attitude, without all the black, in lots of layers and bold accessories.  Some of the best celebrity fashion moments were master minded by Marni.  So, without further ado…covet Marni’s style.  Be inspired!

Cassie always looks beautiful!  I am digging the blazer and gladiator thigh highs!
Cassie
Sean John Ad
Spank Rock on the cover of Fader. Marni did her thing, because this is the best I have ever seen him look.
Lauryn looks so elegant
Alicia looks ethereal!
My future ex husband, styled by Marni
I need that red bag.
Love it.  Absolutely love it.
I don't know if I could pull this look off, but I damn sure am going to try!
Kelly looks stunning!
Love Marni's layered look, with the shiny sneaks and top
Lala Anthony
Ciara
Kelly again
Marni
Marni again!
I absolutely adore the way she rocks accessories!
 *All photos were taken from Marni's Instagram page @marnixmarni and her Tumblr http://marnimarnimarni.tumblr.com/* 

Marni and her style is absolutely amazing.  Her stylings are so creative they inspire tons of your favorite bloggers lookbooks...including this one right here.  If you are amazed by her accessory pieces and pairings, check out yesterdays Friday Flash Sale here.  I have hand picked pieces and styled them with Ms. Senofonte in mind, so you can update your own accessory story.  Furthermore, I am running great sales and discounts, so get to shopping while supplies last!

Also, as an ode to Marni Senofonte's pure awesomeness, I put together a style shop on Thred Up!  You will find plenty of layerable pieces with the color, pattern, texture and shine that is inspired by Marni's fresh and edgy style!  Check it out here:



I have way more black in this Style Shop than Marni would (hey, I am a New Yorker) but I am sure you will find dazzling pieces that you can mix, layer and accessorize! As an added bonus, you will get most of the name brand pieces for less than $20!  Yes, less than 20 bucks!  Get yourself a whole new wardrobe today!

As always happy shopping!



PS Connect with me on:
Instagram: @IHEARTRetailTherapy
Twitter: @HEARTRetail
Pinterest: RetailTherapy1


Friday, August 10, 2012

Style Icon of the Week: Syd tha Kyd

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Style Icon of the Week: Syd tha Kyd


 Syd's presence on the music scene as well as membership to rap group Odd Future (OFWGKTA) has stirred different emotions and reactions from various communities.  I chose her to be my fashion icon of the week because of the visceral reaction to her style. 

I also picked her as my Style Icon because she is the antithesis of fashion.  She's not quirky fashionable like Marta Minujín, nor is she glamorous like Lena Horne.  You won't see her in red bottom pumps, thousand dollar weaves nor will you see her in trendy brands like Five Four, or 10 Deep.  Her clothing style is basic and reflects the IDGAF attitude of her rap comrades, as well as, peers in her generation who don't have a record deal.

I literally have pondered this post for a few weeks.  I usually do my Style Icon of the Week every Friday, but I could not find the words to write this post.  Even as I publish it, it is painfully unfinished, and I fear inadequate to describe the force that is Syd tha Kyd and Odd Future. Syd tha Kyd, the Producer/DJ for the controversial rap group, Odd Future inspires many contradictory and hypocritical feelings and emotions within me.  And obviously I am not alone, Syd has managed to piss off the GLBTQ community as well as feminists, and many more.

I think Dream Hampton said it best, "Syd the Kid’s sexy stud profile and her confusing, misogynistic videos speak to the many contradictions and posturing your generation inherited from the hip-hop generation before you."

As a proud card carrying (lol) heterosexual, I find her "stud" image and IDGAF attitude sexy.  Not that I am ready to get a rainbow bumper sticker anytime soon, however, I will admit I find her swagger appealing.  Furthermore as a woman who is appalled by sexism, "slut shaming" misogyny, and "rape culture", I should be offended by her and her group, but alas, I am not.


As I pondered this article, I realized my own view points about their lyrics, music, attitude and comments made me question my own opinions and beliefs. During the brain storming session, I felt hypocritical at best and a complete fraud at worst. So if this article rambles, is incoherent and unorganized, understand this is truly how I feel and this is what OFWGKTA's effect is for many people.

I think this contradiction is the beauty of Odd Future.  The best rappers?  Nope.  The new Wu-Tang? Hell no.  Best music ever? Not even close. But it's good.  It's intriguing. It inspires emotion (whatever strange emotion that may be) which is lacking in music today, ACROSS THE BOARD!  (Not just in hip hop or R&B!  Rock, pop, country all of it has taken a turn for the worse. I'd be happy to argue my point in any genre, with anyone who is willing.)  But the exquisitely simple and sublime beats (no sampling) with graphic, lonely, violent, racist and homophobic lyrics...is.... hypnotic...almost.  It's like the bad car accident you stare at, even though you really don't want to.

Some of you may say this is not different from mainstream hip hop, but it is. IT REALLY IS.

"One, two, you’re the girl that I want
Three, four, five, six, seven, shit
Eight is the bullets if you say no after all this
And I just couldn’t take it, you’re so motherfuckin gorgeous
Gorgeous, baby you’re gorgeous 
wanna drag your lifeless body to the forest 
And fornicate with it but that’s because I’m in love with
You… cunt"
-She Tyler the Creator featuring Frank Ocean

See?  It is profoundly different.  Necrophilia as well as misogyny? I haven't found that in the hip hop songs I like.  Fronted by Tyler the Creator, other members include Syd, Left Brain, Frank Ocean, Casey Veggies, Hodgy Beats, Earl Sweatshirt, Domo Genesis, Jasper Dolphin and Taco.  Like Syd, Odd Future, is filled with contradictions.  They use "faggot" in their lyrics and tweets with overwhelming regularity, however, both Syd and Frank Ocean are openly homosexual.  When Frank Ocean publicly came out, in early July, Tyler the Creator immediately went to Twitter with his own brand of vernacular to support Frank.  Confused?

Syd confirms this contradiction.  During an MTV interview she made the infamous statement, "That's what I do Dad, I smack bitches".  (See below) 

As you know, the feminist community went bananas.  "How could she?" "Is she confused?" "Why is she a part of this homophobic, rape culture promoting, misogynistic group?"  All of the questions are valid, nor do I condone what she said...but yet, I understand it.  I understand why this group and seemingly the younger hip hop generation is full of contradiction, and it's not pretty.  Furthermore, it's our generation's fault, as well as the one's that came before us.

We passed down the contradictions and outright hypocritical aspects of our generation.  I frequently listened and even repeated songs which refer to women in the most derogatory way, without passing thought or guilt.  With a gleeful reckless abandon, even!  In my young mind, I didn't understand the implications of the words, nor did I care (to be quite honest).  Even with age and hopefully wisdom, I still love hip hop.  The good, the bad and the ugly.  No intellectual reasoning could ever change my love of hip hop, either.

So here we have a young lesbian, with a laid back demeanor, producer of a group that's been labeled homophobic and misogynistic to the tenth degree...who happens to rap/sing about misogyny and relationships with females.  As bizarre as it may be...I understand it.  The anger, frustration and confusion that naturally come with youth but also comes with being apart of, not one but, two(!) marginalized communities.  Whether we want to admit it or not, Odd Future and Syd tha Kyd are merely pointing the mirror towards us, toward society as a whole.  Ugly, isn't it?

I have no answers, nor am I going to pass judgement on a 19 year old kid with a microphone, some Mac Books and a beat machine.  I am not looking for Syd to represent me as a Black Woman, nor do I think lesbians or feminists should look to her to be their poster child.  I mean, she is a child! Who wants to be judged for the comments or actions made as a 19 year old?  I am 31 and still am leery of that kind of responsibility!

SO, I guess the old adage is true, "if you don't like it, don't buy it!"  However, if you find yourself listening to Syd tha Kyd’s “Cocaine”, or Tyler’s “She” featuring Frank Ocean...hopefully you will understand confusion, rage and indifference can sometimes create beauty.


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Friday, July 20, 2012

Style Icon of the Week: Marta Minujín

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Style Icon of the Week: Marta Minujín



Marta Minujin, Argentina's most famous artist, is known for artwork that is both out-sized and outlandish. An "enfant terrible" of Argentina's art world who has cavorted during her career with the likes of Andy Warhol and Christo, Minujin is a celebrity who has exhibited all over the world.
She has been a mainstay of the country's avant-garde scene since the 1960s, famous for works that speak to the public's artistic sensibility, while at the same time tickling its funny bone.
Minujin, a native of Buenos  Aires, where she was born in 1943, still lives and works in the Argentine capital, and her artwork is inspired by the motto that "everything is art".
Much of her career was spent overseas, including long sojourns in New York and Paris, and over the years her work frequently was censored and banned, her hippie sensibility offending past military regimes.
Her first work, in 1963, "La Destruccion" was mounted in Paris and was an early piece of performance art, and involved her eviscerating some of her own works, aided at the time by various friends.  This 1963 creation would be the first of her many "Happenings".
She joined Rubén Santantonín at the di Tella Institute in 1965 to create La Menesunda (Mayhem), where participants were asked to go through sixteen chambers, each separated by a human-shaped entry. Led by neon lights, groups of eight visitors would encounter rooms with television sets at full blast, couples making love in bed, a cosmetics counter (complete with an attendant), a dental office from which dialing an oversized rotary phone was required to leave, a walk-in freezer with dangling fabrics , and a mirrored room with black lighting, falling confetti, and the scent of frying food. 
She earned a National Award in 1964 at Buenos Aires' Torcuato di Tella Institute, where she prepared two happenings: Eróticos en technicolor and the interactive Revuélquese y viva (Roll Around in Bed and Live). Her Cabalgata (Cavalcade) aired on Public Television that year, and involved horses with paint buckets tied to their tails. These displays took her to nearby Montevideo, where she organized Sucesos (Events) at the Uruguayan capital's Tróccoli Stadium with 500 chickens, artists of contrasting physical shape, motorcycles, and other elements.
These works earned her a Guggenheim Fellowship in 1966, by which she relocated to New York. The coup d'état by General Juan Carlos Onganíain June of that year made her fellowship all the more fortuitous, as the new regime would frequently censor and ban irreverent displays such as hers. Minujín delved into psychedelic art in New York, of which among her best-known creations was that of the "Minuphone," where patrons could enter a telephone booth, dial a number, and be surprised by colors projecting from the glass panels, sounds, and seeing themselves on a television screen in the floor. She was on hand in 1971 for the Buenos Aires premiere of Operación Perfume, and in New York, befriended fellow conceptual artist Andy Warhol.
She returned to Argentina in 1976, and afterwards created a series of reproductions of classical Greek sculptures in plaster of paris, as well as miniatures of the Buenos Aires Obelisk carved out of panettone, of the Venus de Milo carved from cheese, and of Tango vocalist Carlos Gardel for a 1981 display in Medellín. The latter, a sheet metal creation, was stuffed with cotton and lit, creating a metaphor for the legendary crooner's untimely 1935 death in a Medellín plane crash. She was awarded the first of a series of Konex Awards, the highest in the Argentine cultural realm, in 1982.
The return of democracy in 1983, following seven years of a generally failed dictatorship, prompted Minujín to create a monument to a glaring, inanimate victim of the regime: freedom of expression. Assembling 30,000 banned books (including works as diverse as those by Freud, Marx, Sartre, Gramsci, Foucault, Raúl Scalabrini Ortiz, and Darcy Ribeiro, as well as satires such as Absalom and Achitophel, reference volumes such as Enciclopedia Salvat, and even children's texts, notably The Little Prince by Antoine de Saint Exupéry), she designed the "Parthenon of Books," and following President Raúl Alfonsín's December 10 inaugural, had it mounted on a boulevard median along the Ninth of July Avenue. Dismantled after three weeks, its mass of newly-unbanned titles was distributed to the public below.
A conversation with Warhol in New York regarding the Latin American debt crisis inspired one of her most publicized "happenings:" The Debt. Purchasing a shipment of maize, Minujín dramatized the Argentine cost of servicing the foreign debt with a 1985 photo series in which she symbolically handed the maize to Warhol "in payment" for the debt; she never again saw Warhol, who died in 1987.
Minujín has continued to display her art pieces and happenings in the Buenos Aires Museum of Modern Art, the National Fine Arts Museum, the ArteBA festival, the Barbican Center, and a vast number of other international galleries and art shows, while continuing to satirize consumer culture (particularly relating to women).
Quirky, yet profound Marta continues to push the envelope and inspire.  She is Mocha Makeups style Icon of the Week!

-from Wikipedia and AFP


Friday, May 18, 2012

Style Icon of the Week: Oumou Sangare

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Style Icon of the Week: Oumou Sangare

I was introduced to Oumou Sangare by my sister when I was pregnant with my son. (Yes, my sister is worldly besides being beautiful and naturally stylish...I have no clue how she does it!  But her closet has been my oyster since I can remember).  Since then, despite the lack of understanding of what she is singing about, I have been a loyal fan ever since.  Her passion and voice carry past the divide of culture and language.  Not to mention she is fierce!

Unfortunately, a lot of African women are not always on the front page of high fashion (and Conde Nast still rejects the idea of African Vogue! Read my rant to Vogue here.)
Mario Epanya, a Cameroonian photographer ,was attempting to revolutionize the fashion industry.  In the fall of 2010, Mario Epanya secured a meeting with executives at Conde Nast, a company that owns a majority of popular consumer magazines. During his presentation, he offered several well-executed examples of possible covers for Vogue Africa.
Being that not too many African women are appreciated fashionably, I will take this time to do so.  African women wear some of the most beautiful printed pieces in every color imaginable.  With an abundance of gold and natural materials, Africans choose natural accessories that compliment their look while honoring traditions.  Style of dress, of course,  changes from country to country and tribe to tribe; remember Africa is a huge place!  African women are known for their signature  head pieces and scarves (or foulards) that give their look a royal quality (or a beautiful way to cover a bad hair day.)

If you are unfamiliar, Oumou Sangare  is a Malinese singer and has a global audience.  In 2008 she collaborated with Alicia Keys for a rendition of Keys hit song "Fallin'". Below is my absolute favorite song by her! "Diya Gneba"



Oumou's style is afrocentric and fresh.  Mixed with traditional African pieces and modern designs, she always looks great on stage and in person.  Never afraid of color, you may find Oumou in muted earthy tones, flaming fire engine reds, fuschia pinks or powder blues.  Nothing is off limits and she carries each style and color fabulously.

Here she is on a "tube" (aka subway) rocking a fur and head wrap.  Tell me Oumou isn't fierce!
No one could do it better!

Red head wrap with funky pleated tunic and bracelets I must buy!
Check the awesome Louis earrings!

Love the phat rope chain!
African women are beautiful and fashion hasn't always turned a blind eye to that fact.  With african prints showing up on runways to this "new" trend of color blocking; Africans, no matter if they're from east, west, north or south, are making a huge impact on global fashion.

You can check out Oumou Sangare on Facebook for more music and touring dates!